Using the image, a moldmaking rubber is built up in several layers to create a negative mold. Plaster is then poured over this to create a cradle for the mold to rest in.
The preparation of the paper pulp begins with the 'beating' of pure cotton linter fibres to produce a fine pulp. Great care is taken to ensure the texture and the tensile strength of the fibres will be suitable for the forming process. The fibres are beaten in neutral pH water which has been carefully treated with an anti-bacterial agent to make certain the pulp meets conservation standards. The pulp is then placed, as a water slurry, into the casting mold where it is covered by a fine mesh weave fabric. Then begins the process of extracting the water, by hand, using sponges. The pulp is carefully formed into a thick sheet of paper with strong sculptural qualities to conform to the exact details of the casting mold.
I then take the cast paper sculpture from the mold and leave it to dry for several days. The cast paper sculpture is either left as pulled from the mold or I will pencil or paint the birds with realistic detail which makes each piece and original work or art.
Because of the fact that the cast paper sculpture is individually pulled by hand, it has certain unique characteristics typical of an original fine art print. Upon completion of the edition, the mold is destroyed.
Available unframed or framed. For frame availability and price, please contact me.
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